The Renaissance saw the musical shackles of the Medieval Period being broken, and both secular and sacred music became livelier and more expressive, and through the developments of printed music, more widely available. Browse our sheet music and scores, and pick up a mass or a madrigal today!
The driving force of the Renaissance was humanism (from the Latin “hummanus” or human), the dogmas of the church were overturned by science, and art was inspired by antiquity and a new, harmonious worldview. Vocal polyphony was very much at the forefront of Renaissance music, and a desire for perfect form, and rational, logical sophistication emerged. In church music, the cyclic form of the Mass, Kyrie, Gloria, Credo, Sanctus, Agnus Dei was still widely deployed, and musical settings of Motets, Litanies, Psalms and Magnificat & Nunc Dimittis broadened the congregation’s musical experience. Secular vocal music also developed through the madrigals, and polyphonic and unison songs.
In contrast to the Medieval Period, the Renaissance began with a new design principle, imitation. A short, lively theme moves from voice to voice, and the composer creates a counter-melody to compliment it. Elements from the Medieval however were still present, and the “cantus firmus” or fixed chant was often a device of choice in the Renaissance. The cantus firmus takes a theme from Gregorian Chant or Folk Music, but the composer uses augmentation, elongates the note values, and uses the cantus firmus as the harmonic basis for this polyphonic work. From here, the canon soon evolved, which was the clear precursor to the baroque fugue.
The Renaissance marked a big step in the development of instrumental music, and a significant move towards independence for solo instruments, and chamber groups. Traditionally instruments were used as accompaniment for choir or solo singing or for dance music, but through the Renaissance Period, pure instrumental solo or ensemble music became more and more popular. In particular, Renaissance Organ Music experienced a great boom due to the technical development of the instrument, and it was during the 16th century that more vocal instrumental music started emerging, and the first works featuring basso continuo were written.
aus: Schott's Chorbuch II
for: Male choir (TTBB) a cappella
Music score
Item no.: 740362
overo dell'istromento musico perfetto - Con annotazioni critiche manoscritte di Scipione Stella
for: Harpsichord
Book
Item no.: 780799
Giovanni Pierluigi da Palestrina, il suo tempo e la sua fortuna nelle immagini
Book
Item no.: 780793
dalle origini a Frescobaldi
In appendice una raccolta di 19 toccate di diversi Autori
for: Organ
Book
Item no.: 1556005
fino all'Ottocento
Book
Item no.: 779372
e il suo tempo
Book
Item no.: 779314
Renaissance et Opéra / Rinascimento e Opera
Sediziose voci. Studi sul melodramma 3
Book
Item no.: 774022
for: Mixed choir (SSATB) a cappella
Music score
Item no.: 753959
for: 7 soloists (SSATTBB), mixed choir (SSATTB), orchestra, basso continuo
4 Playback-CDs (choir part bass)
Item no.: 676146
for: 7 soloists (SSATTBB), mixed choir (SSATTB), orchestra, basso continuo
4 Playback-CDs (choir part tenor)
Item no.: 676145
Book
Item no.: 777492
aus: Schott's Chorbuch II
for: Male choir (TTBB) a cappella
Music score
Item no.: 731017
Psalm 96, 1-2
for: Male choir (TTBB) a cappella
Music score
Item no.: 731013
for: Mixed choir (SSATB) a cappella
Music score
Item no.: 753958
In maienhellen Tagen (aus "Balleti a 5 voci")
for: Mixed choir (SSATB) a cappella
Music score
Item no.: 721659
Study book
Item no.: 1550312
for: Lute [guitar]
Music lesson book
Item no.: 265171
Retorica e musica nel periodo della Riforma
Book
Item no.: 962527
Cattedrale e Collegiata nei secoli XVI e XVIII
Book
Item no.: 774641
De Sono-Tesi 7
Book
Item no.: 774286
Amor im Nachen (aus "Balletti a 5 voci")
for: Mixed choir (SSATB) a cappella
Music score
Item no.: 730972
for: Male choir (TTBB) a cappella
Music score
Item no.: 753988
dove si ragiona sotto un piacevole discorso delle cose pertinenti, per intavolare le opere di musica... (rist. anast. Napoli, 1559)
for: Viola
Book
Item no.: 780893
(1611) con alcuni estratti da Battuta della musica (1611)
Book
Item no.: 780584
Commentary
Music score
Item no.: 774805
for: Mixed choir (SSATB) a cappella
Music score
Item no.: 733612
for: Mixed choir (SSATB) a cappella
Music score
Item no.: 753960
for: Viola
Music score (anthology)
Item no.: 770856
Atti del Quinto Convegno internazionale, in ricordo di Federico Ghisi 1901-1975, Certaldo
Book
Item no.: 777509
nel secondo Cinquecento - Atti della giornata di studi, Cremona 27 novembre 1992
Book
Item no.: 779567
for: Mixed choir (SATB) a cappella
Music score
Item no.: 730971
for: Bass guitar
Music lesson book
Item no.: 648147
Rivista per lo studio e la pratica della musica antica - Journal for the study and practice of early music
Book
Item no.: 1013130
fra tradizione orale e tradizione scritta
Book
Item no.: 779543
La prononciation française et latine dans la musique de la Renaissance
Book (softcover)
Item no.: 172340
S. Ambrogio Patrono e protettore dello stato delle libertà
Book
Item no.: 777803
Acqua, Aria, Terra e Fuoco nelle feste sabaude (1585-1699)
Book
Item no.: 777214
for: Mixed choir (SATB) a cappella
Music score
Item no.: 730973
Book
Item no.: 772084
della Biblioteca Universitaria di Pisa
Book
Item no.: 1010291
for: Guitar
Music score
Item no.: 776313
for: Women's choir (SMezA) a cappella
Music score
Item no.: 740351
for: Women's choir (SMezA) a cappella
Music score
Item no.: 730995
for: Women's choir (SMezA) a cappella
Music score
Item no.: 753970
for: Women's choir (SMezA) a cappella
Music score
Item no.: 730994
nach "O lux beata trinitas"
for: Women's choir (SMezA) a cappella
Music score
Item no.: 753968
nach BWV 252
for: Women's choir (SSA) a cappella
Music score
Item no.: 740352
for: Women's choir (SSA) a cappella
Music score
Item no.: 753977
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