"Brightly the keys, all twinkling, linked, all harpsichording, called to a voice to sing the strain of dewy morn..." James Joyce
The harpsichord is widely seen as the forerunner of the modern day piano, the main difference being its plucking mechanism, rather than hammers, which gives it its distinct sound, the sound of the Renaissance and the Baroque, signalling in a new dawn for early music.
Concert pitch at the time was 415 Hz, approximately a semitone lower than today, which is 440 Hz. The harpsichord it very sensitive to fluctuations in temperature and humidity, and needs to be tuned at least once a day. The tuning process only takes about 20 minutes on average, so it is a small price to pay, for a beautiful, clean tone.
Not only is the harpsichord an excellent solo instrument, for which many works (such as sonatas, suites, toccatas, variations and many more) were written by composers such as B. Sweelinck, J. S. Bach, his son C. P. E. Bach, D. Scarlatti, Handel and F. Couperin, but the harpsichord, alongside the Organ, Theorbo and Lute, plays a central role in the basso continuo in most Baroque ensembles.
The harpsichord forms the harmonic bridge between melody and bass, and its central role within the basso continuo is comparable to the modern keyboard’s function in a rock, pop or jazz band.
One of the main features of the Baroque style for harpsichord is ornamentation, such as trills, mordents, turns and tremolo, which are particularly prominent in the French Baroque with composers such as Francois Couperin and Rameau. Many such ornaments can also be found in the famous Well-Tempered Clavier (1722) by J. S. Bach.
As a favoured instrument of the bourgeoisie and royalty, the untimely end of the harpsichord was brought about by the people’s revolts of the French Revolution (1789 to 1799), harpsichords and clavichords were thrown out of the windows onto the streets of Paris in anger and burned!
With the revival of early music in the 1970s, more and more new harpsichords were built. Pioneers such as B. Gustav Leonhardt, Ton Koopman and Nikolaus Harnoncourt reinvented Renaissance and Baroque style, and the harpsichord grew in popularity, and was once again seen on concert stages, and in chamber venues all around the world.
Today you can find harpsichords built in Flemish, French, Italian, Austrian and German styles all over the world. They all have their own individual character and tone. Historical performance practice has now become second nature for harpsichord players, and has influenced the way we approach modern keyboard instruments, and most importantly how we view the piano.
for: Harpsichord
Buch
Item no.: 879310
for: Harpsichord
Score
Item no.: 239796
for: Harpsichord, strings
Score
Item no.: 141615
for: Harpsichord
Score
Item no.: 420099
for: 2 harpsichords
Score
Item no.: 390364
for: Harpsichord
Book
Item no.: 977471
for: Harpsichord
Music score
Item no.: 1651043
for: Harpsichord
Music score
Item no.: 817299
"Triple Concerto"
Bärenreiter Urtext
for: Harpsichord, flute, violin, strings, basso continuo
Single part Cello (Double bass/Violone)
Item no.: 817352
for: Harpsichord
Ensemble score
Item no.: 1624922
for: Harpsichord, strings, basso continuo
Violin 2 (orchestral part)
Item no.: 191466
for: 2 harpsichords, strings, basso continuo
Violin 2 (orchestral part)
Item no.: 157200
for: Harpsichord, strings, basso continuo
Score
Item no.: 379009
for: Harpsichord
Item no.: 282918
for: Basso continuo
Single part Basso continuo
Item no.: 421735
for: Harpsichord
Single part(n)
Item no.: 421665
for: Harpsichord
Single part Harpsichord
Item no.: 421480
for: Harpsichord, flute, violin, strings, basso continuo
Violin ripieno / tutti (orchestral part)
Item no.: 302004
for: Harpsichord, strings
Viola (orchestral part)
Item no.: 348790
Concerto grosso in A Minor
for: Violin, harpsichord, string orchestra
Single part Harpsichord
Item no.: 734044
Die deutsche Litanei
Komposition von Anon., durch Bruno Grusnick Schütz zugeschrieben
for: Basso continuo
Single part Basso continuo
Item no.: 232154
Geistliches Konzert
for: Basso continuo
Single part Basso continuo
Item no.: 232075
Die Worte der Einsetzung des heiligen Abendmahls. Aus: Zwölf geistliche Gesänge
for: Basso continuo
Single part Basso continuo
Item no.: 231991
aus: Symphoniae Sacrae III
for: Basso continuo
Single part Basso continuo
Item no.: 231889
aus: Symphoniae Sacrae III
Psalm-Konzert
for: Basso continuo
Single part Basso continuo
Item no.: 231877
No. 7 Bb Major
for: Violin, harpsichord, string orchestra
Single part Violin 1
Item no.: 783813
No. 7 Bb Major
for: Violin, harpsichord, string orchestra
Single part Violin 2
Item no.: 783812
for: Organ [harpsichord]
Single part(n)
Item no.: 421758
for: Harpsichord
Single part Harpsichord
Item no.: 421562
for: Harpsichord
Single part Harpsichord
Item no.: 421398
for: Harpsichord
Single part Harpsichord
Item no.: 421249
for: Harpsichord
Violin 2 (orchestral part)
Item no.: 421231
for: Basso continuo
Single part Basso continuo
Item no.: 229833
for: Basso continuo
Single part Basso continuo
Item no.: 234419
for: Basso continuo
Single part Basso continuo
Item no.: 232632
for: Basso continuo
Single part Basso continuo
Item no.: 232563
for: Harpsichord, strings, basso continuo
Cello, double bass (orchestral part)
Item no.: 643274
for: Harpsichord
Single part Harpsichord
Item no.: 421617
for: Harpsichord
Single part
Item no.: 421581
for: Harpsichord
Single part Harpsichord
Item no.: 421512
for: Harpsichord
Single part(n)
Item no.: 421305
for: Harpsichord
Violin 1 (orchestral part)
Item no.: 421230
for: Basso continuo
Single part Basso continuo
Item no.: 234521
aus: Psalmen Davids
for: Basso continuo
Instrumental part 3 (Choir 1)
Item no.: 1160699
aus: Psalmen Davids
for: Basso continuo
Instrumental part 2 (Choir 1)
Item no.: 1160696
aus: Symphoniae Sacrae III
for: Basso continuo
Single part Basso continuo
Item no.: 231937
Ein Segen
Autorschaft unsicher, durch Christiane Engelbrecht Schütz zugewiesen
for: Basso continuo
Single part Basso continuo
Item no.: 232170
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