“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
and Concerto No. 5 »Early Version« D major BWV 1050a
Bärenreiter Urtext
for: Flute, violin, string orchestra, basso continuo
Single part (Violin solo)
Item no.: 344440
Bärenreiter Urtext
for: 2 treble recorders, violin, strings, basso continuo
Viola (orchestral part)
Item no.: 335928
Bärenreiter Urtext
for: 2 treble recorders, violin, strings, basso continuo
Single part (Violin solo)
Item no.: 335145
for: String orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 326520
for: 4 Guitars
Score, Parts
Item no.: 225079
for: 2 flutes (duet)
Ensemble score
Item no.: 165393
for: Flute, strings, basso continuo
Single part Flute
Item no.: 176429
for: Solo voices, mixed choir (SSAATTBB), orchestra
Violin 2 (orchestral part)
Item no.: 1552136
Cello, double bass (orchestral part)
Item no.: 611597
for: Symphonic orchestra
Violin 1 (orchestral part)
Item no.: 213658
Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 797268
for: 4 solo voices (SATB), mixed choir (SATB), baroque orchestra
Violin 1 (orchestral part)
Item no.: 339189
(Urtext)
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Violin 1 (orchestral part)
Item no.: 272898
for: Symphonic orchestra
Cello, double bass (orchestral part)
Item no.: 244971
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 244969
Cantata for the 20th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 2 voices (SB), oboe d'amore, strings, basso continuo
Cello, double bass (orchestral part)
Item no.: 690027
Single part Viola
Item no.: 349747
for: Organ
Music score
Item no.: 885861
for: Violin, piano
Piano score, solo part
Item no.: 888759
for: Piano
Music score
Item no.: 868512
for: 5 soloists (SSATB), mixed choir (SSATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 768462
for: 5 soloists (SSATB), mixed choir (SSATB), orchestra, basso continuo
Organ (orchestral part)
Item no.: 456175
for: für Orchester
Taschenpartitur
Item no.: 124586
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 1149985
for: 3 soloists (ATB), mixed choir (SATB), orchestra
Harmony parts (complete winds)
Item no.: 1689328
Single part Basso continuo (Organ)
Item no.: 1644941
for: Symphonic orchestra
Violin 2 (orchestral part)
Item no.: 462667
for: Soloist (soprano), mixed choir (SATB), orchestra
Single part Organ
Item no.: 373191
for: Symphonic orchestra
Single part Organ
Item no.: 246813
for: Soloist (soprano), mixed choir (SATB), orchestra
Viola (orchestral part)
Item no.: 213034
Cantata Nr. 82 for the Purification of the Blessed Virgin Mary
in c-minor
for: Voice (bass), oboe, strings, basso continuo
Violin 1 (orchestral part)
Item no.: 194392
for: 4 harpsichords, strings, basso continuo
Viola (orchestral part)
Item no.: 328046
for: String orchestra, basso continuo
Cello 2 (orchestral part)
Item no.: 290687
(Urtext)
for: Symphonic orchestra
Single part (Flute solo)
Item no.: 245801
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 227304
for string orchestra and Basso continuo
Authenticity disputed
for: Strings, basso continuo
Viola (orchestral part)
Item no.: 210656
for: 2 harpsichords, strings, basso continuo
Single part harpsichord 1
Item no.: 188603
for: Harpsichord, strings, basso continuo
Single part Harpsichord
Item no.: 170274
Reconstruction based on BWV 1056 and 156
for: Oboe, strings, basso continuo
Single part Harpsichord
Item no.: 1671827
Cantata for the 13th Sunday after Trinity – Allein zu dir, Herr Jesu Christ
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 1671146
for: Guitar
Music score
Item no.: 1137729
for: 2 flutes, piano
Buch
Item no.: 1138072
for: Flute, piano
Piano score, solo part
Item no.: 1141666
Klassik
for: Violin, piano
Piano score, solo part
Item no.: 1194987
Klassik
for: Piano
Music score
Item no.: 1541222
Klassik
for: Violin
Music score
Item no.: 1195217
Hochzeitskantate
for: Voice (soprano), orchestra
Violin 2 (orchestral part)
Item no.: 1658458
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