“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
Cantata for the 8th Sunday after Trinity
Bärenreiter Urtext
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Viola (orchestral part)
Item no.: 345050
for: Flute, guitar
Score, Parts
Item no.: 1619498
for: Cello
Cello (orchestral part)
Item no.: 130733
for: 2 mixed choirs (SATB, SATB) a cappella
Set of parts
Item no.: 1042933
for: gemischter Chor (SATB) und Keyboard
Item no.: 1620911
for: gemischter Chor (SATB) und Keyboard
Item no.: 1620972
for: Women's Choir [SSA] and Piano
Choir score
Item no.: 1102121
for: für Orchester
Taschenpartitur
Item no.: 395263
for: Saxophone ensemble
Score, Parts
Item no.: 1132304
for: Brass band
Score, Parts
Item no.: 1142982
Klassik
for: Cello, piano
Piano score, solo part
Item no.: 1195311
Klassik
for: Organ
Music score
Item no.: 1540531
for: Treble recorder
Stimme
Item no.: 1557877
Klassik
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 905257
for: Guitar
Music score
Item no.: 1118151
for: Symphonic orchestra
Book
Item no.: 1117981
Klassik
for: Orchestra or String Quartet
Score, Parts
Item no.: 1103878
Geistliche Musik
for: Choir (2 voices), piano
Choir score
Item no.: 938273
for: 4 clarinets
Score, Parts
Item no.: 1132298
for: Double bass, piano
Buch
Item no.: 1141694
Klassik
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 907197
Edition Clarinova
for: Clarinet
Music score
Item no.: 779443
for: Organ
Music score
Item no.: 1171721
for: Flute, guitar
Book
Item no.: 997944
for: Flute, Violin and Organ
Score, Parts
Item no.: 998837
for 2 guitars
parts
for: 2 guitars
Single part
Item no.: 1696755
for: 4 guitars (quartet)
Score, Parts
Item no.: 1071736
ars instrumentalis 040
Single part(n)
Item no.: 1655307
Bärenreiter Urtext
for: Mixed choir (SSATB); instruments ad lib.
Single part viola 2
Item no.: 1657063
Sonntag Estomihi
Choir score
Item no.: 1639818
(from Suite No. 3)
for: 4 clarinets
Score, Parts
Item no.: 1132504
Cantata for the 23rd Sunday after Trinity
Stuttgarter Bach-Ausgaben Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 680655
for: FL LAUTE
Item no.: 380710
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Single part Kettledrums
Item no.: 1665002
Passio secundum Joannem BWV 245 - Urtext Stuttgarter Bach-Ausgaben
Fassung IV (1749) mit der unvollendeten Revision 1739 im Anhang
for: Soloists, mixed choir, orchestra
Violin 1 (orchestral part)
Item no.: 148787
Passio secundum Marcum
First version, first performed in Weimar around 1713 by J. S. Bach
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Cello, double bass (orchestral part)
Item no.: 371839
Cantata for New Year's Day; Circumcision of Christ
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 1 (orchestral part)
Item no.: 424228
Kyrie-Gloria-Messe (Lutherische Messe)
Entstehungszeit vermutlich späte Leipziger Jahre
for: 3 soloists (ATB), mixed choir (SATB), orchestra
Viola (orchestral part)
Item no.: 624553
Klassik
for: Horn
Music score
Item no.: 1111850
Cantata for the 10th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Single part Basso continuo
Item no.: 232970
Klassik
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 931544
Queenwood
for: String orchestra
Item no.: 147321
for: Saxophone ensemble
Score, Parts
Item no.: 148942
for: 4 recorders (quartet)
Score, 4 Single part
Item no.: 458904
Buch
Item no.: 252002
for: Violin, strings, basso continuo
Set of parts
Item no.: 321168
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